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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)热播电视剧最新电影东方美女护儿使者鬼娃回魂6影子写手杨乃武与小白菜1990错了性别的爱刺客的子弹渗透2023生死抉择你丫闭嘴国语破晓之战寻找连环杀手：雷吉娜·史密斯的故事游戏：向着零时国语暗花国语用心棒猎爱陷阱少壮屠龙阵食神少林达摩剑最后幸存者1974最后机会大学第五季我的青春你来过乔迪尔特历险记喂帅哥！！(电影版)
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)热播电视剧最新电影东方美女护儿使者鬼娃回魂6影子写手杨乃武与小白菜1990错了性别的爱刺客的子弹渗透2023生死抉择你丫闭嘴国语破晓之战寻找连环杀手：雷吉娜·史密斯的故事游戏：向着零时国语暗花国语用心棒猎爱陷阱少壮屠龙阵食神少林达摩剑最后幸存者1974最后机会大学第五季我的青春你来过乔迪尔特历险记喂帅哥！！(电影版)